Engineers of all kinds are taught these days that “form follows function”. If you know what you’re trying to get your machine to do, then you know how it should look. That’s what led to buildings like those in the image on the left, below — steel, glass, and marble monuments to utilitarianism. But, as this image on the right demonstrates, the owners of these buildings still wanted to show some appreciation of art on their properties.
Yet, as the next pair of images demonstrates, architecture, especially for premier tall buildings, has made a comeback. Not only are the new tall buildings artistic in the abstract, they often embrace cultural iconography. The Petronas Towers clearly show the influence of Muslim symbolology on their design. Likewise, Taipaei 101 exhibits East Asian design influences.
As many readers are sure to know, weapons technology and art have been closely allied throughout history. There just seems to be something about weapons that cause people to adorn them with artistic expressions. These invoke help from the gods or presumably friendly spirits, try to ward off the negative affects of adverse spirits, or make a fearful impression on the enemy. Whatever reason or reasons cause the decoration of weapons, the artistic effort invested in them makes them highly valued cultural artifacts.
Renaissance weapons and armors represent in many ways the ultimate realization of the artistically made weapon. The halberd and helmet shown below are not show pieces. They would have been deadly effective on a late 16th Century battlefield. But they are also beautiful examples of the artisanship of their makers.
One might think that the demands of mass politics, mass armies, and the mass production that supports them would take the art out of weapons. Form would have to follow function, by the most economical means possible. Right up to the point of delivery of the war machines to the combat units, that would be true. But once the soldiers get the planes, tanks, and ships in their hands, they start to use them as canvases for artistic expression.
Some of it is quite amateur, just unofficial vehicle names painted on gun barrels or turrets. Maybe a slogan here or an epithet there, meant to make a point about the soldiers’ motivation or their contempt for the enemy.
But there is also the phenomenon of nose art on combat aircraft. These painting are also unofficial — though often officially tolerated — but they are widespread and well done, often by professional artists. And, like the designs of tall buildings, they can be deeply rooted in the culture of the aircrews, commonly invoking pop art iconography.
Is there anything we can finally say about art and technology? Just this, I think: Utility is a human value. But so is artistic expression. They are not mutually exclusive. Many times, perhaps most of the time, they are each other’s complement, making useful items aesthetically pleasing, and bringing use to aesthetics.















Torchships were a staple of science fiction writer